Thursday, February 27, 2014

We Are All Completely Beside Ourselves

We Are All Completely Beside Ourselves Karen Joy Fowler

Rosemary doesn’t talk much. She creeps people out. Her mother is a shadow of who she used to be, she doesn’t deal directly with her father. Her brother is wanted by the FBI. Her sister is gone.

Starting her 5th year in college, she tells us her story, slightly out of order.

Eventually, we get to the crux-- her sister Fern, the missing one, was a chimpanzee. They were raised together as sisters, part of a grand experiment, and then when Rosemary was 5, Fern was sent away to a farm and they never saw her or really spoke of her again.

Rosemary had a hard time in school, being a monkey girl, because being raised with a chimp made her have many chimp-like behaviors. She’s falls into the uncanny valley. She’s human, but something about her is… off.

The plot question is, why did Fern have to leave? But the main question of the book is, what are the ramifications of Fern being part of the family in the first place, and how the family (and the public) reacts to her leaving. And how Fern reacts to being taken away.

One thing they struggle with is that no one understood or acknowledged the family’s grief. They didn’t lose a pet, they lost a child. Rosemary lost her twin. The ethics of the study, of what happened, and why are explored through Rosemary’s lens. She was 5 when Fern left, her picture is incomplete.

It’s fascinating and moving as Rosemary tries to parse what happened and why and how that affected everything after, if it affected anything after.

I loved this book. I think Fowler really captured Rosemary as a college student and the whys and hows of how she looked at her own story.

But really, just, so much love. (Also it’s not a huge downer. It could have easily been a major sobfest. But it wasn’t. So glad Fowler didn’t go there.)

There's a reason this is an Outstanding Book for the College Bound!

Book Provided by... my local library

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Wednesday, February 26, 2014

Disenchantments

The Disenchantments Nina LaCour

After graduation, Colby’s going on tour with Bev’s band, and then Colby and Bev are going to bum around Europe for a year. They’ve been planning this trip for years. But half-way through the tour, Bev drops the bomb that she’s going to college, not Europe, and Colby’s realizing that he doesn’t know his best friend at all.

Man, did I love this book. I loved Colby and his voice. I loved that Bev’s band was really, really bad. I loved their complicated and changing relationship, and that they’ve known each other forever and how that colors everything. I loved the other girls in Bev’s band (and man, I wished Colby would have woken up and realized that Meg was clearly awesome.) I loved the relationship between Meg and her sister Alexa (both in the band). I loved how it was about art and friendship and family.

AND JASPER. I loved Colby for thinking of Jasper-- this random character from early in the book. How Colby treats Jasper makes him my favorite. I loved Jasper.

So, yeah, I loved this book.

Book Provided by... my local library

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Tuesday, February 25, 2014

Verily, A New Hope

William Shakespeare's Star Wars Ian Doescher, George Lucas, and William Shakespeare.

So, this is pretty much what you’d expect, but a bit better. It’s A New Hope (aka, Star Wars #1) retold in the style of Shakespeare. I say “in the style of” because it does more that retell the story in iambic pentameter-- there’s a chorus that explains some of the action and sets the scene, as well as long soliloquies, really translating the story into how it would be told as an Elizabethan drama. Even the illustrations show how the staging would work in Elizabethan times.

There are several in-jokes for those who know their Shakespeare and their Star Wars. The text is full of such allusions as ”Friends, rebels, starfighters, lend me your ears…” and while the chorus refuses to say if Han shoots first, Jabba the Hutt *does* show up, as does Biggs Darklighter and Luke making plans to hang out after the battle-- so Doescher is working from the rerelease instead of the original. (Sorry, is my nerd showing?)

Overall, it was very fun, and well done. I'm looking forward to looking at William Shakespeare's The Empire Striketh Back, which comes out next month. The Jedi Doth Return will be out this summer.

Book Provided by... my local library

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Monday, February 24, 2014

Poisoner's Handbook: Murder and the Birth of Forensic Medicine in Jazz Age New York

The Poisoner's Handbook: Murder and the Birth of Forensic Medicine in Jazz Age New York Deborah Blum.

You guys are so lucky you haven’t been within earshot of me when I was reading this book. SO GOOD.

Medicine, murder, politics, and detective work combine to make for fascinating reading. Anyone familiar with crime drama knows you have to talk to the Medical Examiner to find out what happened. But in the beginning of the 20th century, that wasn’t the case. In New York, a few intrepid men developed the field of forensic medicine to help detect cause of death in the morgue. The growing field made it so poison was no longer an easy murder to get away with, as police could then say for sure that someone had been poisoned, and with what, which made tracking down the murderer that much easier.

But this is also Prohibition. We think of bathtub gin and homemade stills, but most of the alcohol on the streets was denatured industrial alcohol, stolen and then resold. In an effort to curb illegal drinking, the government kept demanding that more and more poisons be added to the alcohol. The result didn’t stop people from drinking, but it killed a lot of them. You can read more about it here. They also made an episode of American Experience on PBS about it.

(As that article is also written by Blum, it also gives a good taste of the book.)

And oh! The politics. Tamany Hall was NOT happy about the new medical examiner system and the office was often battling for basic funding and resources.

Blum weaves all these tales together to tell a gruesome and fascinating story about the development of a scientific field that now seems commonplace, a time in history we largely romanticize despite the body count, and well, poisoner and murder! Blum has a gift for story-telling and detail that draws you in (she also has an eye for the gruesome-- the wet chemistry involved wasn't always pretty.)

Excellent reading and a book that made the Outstanding Books for the College bound list!

Book Provided by... my local library

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Monday, January 27, 2014

Nonfiction Monday: Historical Hearthrobs

Historical Heartthrobs: 50 Timeless Crushes-From Cleopatra to Camus Kelly Murphy and Hallie Fryd

I am falling more and more in love with Zest books for their fun and quirky looks at history and pop culture. Their latest offering looks at 50 historical figures and explains why they're heartthrobs-- whether it's their looks, their daring, their dedication or something else. For each, we get 4 pages, including pictures, quotations about them, a brief biography, a briefer detailing of their love life, and a section on why they matter today. Much like Scandalous!: 50 Shocking Events You Should Know About (So You Can Impress Your Friends) (also by Fryd) it's conversational and fun and will hopefully lead teens to want to learn more about a particular person. Very, very fun.

Even better, I love the range of people Murphy and Fryd include-- great diversity for what people are known for and where they're from (both time and place). We've got obvious ones like Byron and Josephine Baker and Mati Hari and not-so-obvious ones like Ceaser Chavez and Jane Goodall. There's Gloria Steinam and Nikola Tesla, Teddy Roosevelt and Nellie Bly, Duke Kahanamoku and Huey P. Newton, Bessie Coleman and Benazir Bhutto. It's an interesting collection and a fun lens to look at some fascinating people.

I'm participating in the official blog tour and said that as part of my tour stop, I'd look at my own favorite Historical Heartthrob. I nominate Sun Yat-Sen. Not only was he a looker, but he helped over throw Chinese imperial rule, even if he happened to be out of the country (drumming up support and funds) when the actual revolution happened. (D'oh.) He's an odd character in Chinese history, as he's one of the few, if not the only, modern hero that Mainland China, Taiwan, and the overseas Chinese communities can all agree on as being awesome. He's buried in Nanjing on the top of a mountain.

But, an even better part of being on blog tour? GIVEAWAY TIME!



Book Provided by... the publisher, for blog tour partcipation

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Thursday, January 09, 2014

Bride Wore Size 12

The Bride Wore Size 12 Meg Cabot

For once, everyone WANTS to live in Death Dorm! Heather’s a little unsure what to make of Fisher Hall’s new popularity, but she knows what’s caused it-- the Crown Prince of Qalif, Rashid, has moved in.

Everyone wants to get close to the playboy prince! (Except, of course, Sarah, who’s livid that the college accepted his father’s huge donation to get him in, given Qalif’s human rights record…)

But when an RA turns up dead, things seem par for the course. Heather’s trying to keep peace in the dorm and solve a murder but her personal life is just as crazy-- the wedding is fast approaching and then… her mother shows up.

I LOVE HEATHER WELLS. I like how this one doesn’t focus on her weight as much. I love the university politics and Cooper’s sisters. I liked the wedding craziness and Heather's family drama. Mostly, I love the antics of Fischer Hall and how much Heather cares for the residents and her eye on their drama--not just the murders, but the day-to-day college drama of roommate fights, love, school, and living apart from your parents.

I’m so glad that Cabot started writing this series again. So much love for Heather.

Book Provided by... my local library

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Wednesday, January 08, 2014

Size 12 and Ready to Rock

I waited too long between reading and reviewing, so here's a mini-review!

Size 12 and Ready to Rock Meg Cabot

Woo-hoo! Heather Wells is back!

It’s summer at Fischer Hall, but just because school’s out doesn’t mean that Heather’s in for an easy summer. Heather’s ex-fiance and his new wife-- Jordan and Tracy, are hosting a summer camp for pop diva tweens (and, of course, filming a reality show about it.) Then the producer ends up dead with Tania as the obvious target. Cooper’s (Jordan’s brother and Heathers current fiance) is then hired to be Tania’s new bodyguard…

So, what summer vacation?

I mean, I love Heather Wells and this one doesn’t disappoint. I also like how much more depth and backstory we get to Tania in this one. It was also fun to see Heather with the tweens, as they’re… not college students.

Book Provided by... my wallet

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Tuesday, January 07, 2014

Virtuosity

Virtuosity by Jessica Martinez

Only a teenager, Carmen is the world’s best violinist. She’s a grammy winner and has toured all over the world. Now is the pinnacle of her career the prestigious Guarani competition. Only the only other person who could give her a run for her money is her age, British, and very, very cute.

I loved Carmen and the dark side of her success--her lack of friends, the performance anxiety, and over-bearing mother. I also really liked the relationship between her and Jeremy and the angst of the competition.

But, I never fully understood/believed the importance of the competition to Carmen’s career. The winner gets to play the Guarani violin for 4 years, but Carmen already plays a Stradivarius. She gets money that she doesn’t need and a world tour. Carmen claims she wants to win because of the concert and tour opportunities but… Carmen’s already been on world tour multiple times. I didn’t buy that she needed them that badly. And without believing in the need to win, Carmen’s laser focus and determination and fear don’t make as much sense.

I was also a little disappointed in the action that led to the big dramatic showdown-- I don’t think it was necessary. I think it could have been a stronger title if it was a little more subtle and didn’t go for a big over-the-top ending.

Finally, please, can we stop with the prologues that give away major sections of the climax? Sure, how it was set up was slightly misleading but… but… but… I’m over it. It also lessened the impact of what happened when it happened-- maybe I would have been more into the final conflict if I hadn’t already been told what was going to happen to resolve it?

BUT, despite these issues, I did enjoy it. Like I said, I loved Carmen. I loved the focus on the music and how Carmen wasn’t enjoying playing any more. I loved Martinez’s descriptions of Chicago. They were subtle, but enough that I knew that she really knows the city. Overall, it’s an interesting, slightly darker YA read-alike to one of my all time favorites, The Mozart Season (also about a violin competition.)


Book Provided by... my local library

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Wednesday, November 06, 2013

Interview with Cindy Callaghan

Earlier today, I reviewed Lost in London by Cindy Callaghan, as part of her blog tour.

Now that we've had time to have our tea, she's stopped by for an interview!

Jordan visits a lot of London's famous sites, as well as some places where students just like to hang out. What's your favorite place in London?

I love love love the Tower of London. It is historic and spooky and beautiful all at the same time.

Jordan is on a mission to de-borify her life. What's the craziest thing you've ever done to de-borify yours?

Let's see... there was leaving NJ to go to college in LA. A streak of wild concerts. Then nothing de-bored-i-fying for a lot of years. More recently, there was Cindy's Adventures in ZipLining.

Jordan's first night in London, she gets locked inside the worlds biggest and best department store, one that is, sadly, fictional. Where would you like to be accidentally locked in overnight?

Haunted mansion! The bigger and scarier the better!! I love spooky.

If you could go back in time and talk to yourself when you were Jordan's age, what would you say?

It's all going to be fine. Tween and teen years can be long and tough, but you'll come out the other end one strong and fab chick!


You're the author of 3 books, all for tweens. Why do you write for this age group?

Maybe because I am surrounded by inspiration. Maybe because my voice lends itself to that age group.

Tweens are often misunderstood by adults--what's something you wish that adults understood about them?

The things that they think are a big deal are A REALLY REALLY BIG DEAL to them. We have to accept that.

What's one place in the world that you haven't visited, but really want to?

Italy! And Hogwarts.

What are you currently reading?

Hidden Order, Brad Thor

What are you currently watching?

Nashville

What are you currently listening to?

Seriously Sinatra!

Thanks for stopping by Cindy!

Links to Amazon are an affiliate link. You can help support Biblio File by purchasing any item (not just the one linked to!) through these links. Read my full disclosure statement.

Lost in London

Lost in London Cindy Callaghan

Jordan Jacoby has a boring life in a boring town. She lives next door to her school--and her father works there. She wants to try something new, so her parents let her go on a school trip* to London, where she’ll be staying with her mother’s old sorority sister, who has a step-daughter Jordan’s age.

Only once she gets there she finds that Caroline and her friends are much richer and cooler and mature than Jordan. And Caroline really doesn’t want much to do with Jordan, especially if it means hanging out at tourist sites instead of shopping.

But then Caroline and Jordan get locked into Daphne’s overnight (think Harrods, but bigger. And cooler, as if that were possible!) The same night there’s a major break in. Now they’re being blackmailed, unless Jordan can stop it-- and win over Caroline in the process.

There are some Brit-picky things about this, but once I got over myself, this was an enjoyable middle-grade/tween caper. I appreciated that although Caroline was snotty and spoiled, she wasn’t vicious or overly poorly behaved. Her friends are nice, and each have their own personalities. I really liked Jordan. Even though she was pretty out of her depth, she kept her head for the most part, and stood up for what was right. This is one I really would have loved when I was 10.

Check back later today for an interview with Ms. Callaghan!

*It’s a school trip in that she has to do a project, but she seems to the only one going and she and her parents organize everything.


Book Provided by... the publicist, for a blog tour post

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Thursday, October 31, 2013

Nightshifted

Nightshifted Cassie Alexander

Edie Spence is a nurse who’s left her cushy private clinic job to work the nightshift on Y4. Y4 is County Hospital’s supernatural ward. If she works there, the Shadows (the things that help hide supernatural activity from normal people) will keep her junkie brother clean.

This isn’t a light-and-fluffy paranormal romance. This is much grittier and more a mystery than anything. When a vampire dies on Edie’s watch, his dying words are “Find Anna.” And when she does, she gets pulled into some serious bad vampire stuff. There is a lot of action, a lot of blood, and a lot of nurse straight-talk (Alexander is a nurse when she’s not writing and it really shows and adds a lot to the book.)

Plus, there’s a were-dragon, a hot shapeshifter, and Edie has a zombie boyfriend. Plus, a possessed CD player that speaks only in German.

But it’s also full of lonely, broken people. Working the nightshift for low pay in order to save your brother is hard (and Edie has issues.) Being a zombie and over 100 years old is hard. Having to give up control to the moon is hard. Different characters handle it differently. There is sex, but little romance. There is A LOT of blood.

But guys!! So Awesome!! Alexander has really built this world. The characters have issues, but they’re mostly great people that you can’t help but love and root for. Their issues are so real and not easy to resolve-- many don't get resolved. Also, the action and politics are intense.

I found out about this book from Clear Eyes, Full Shelves, and it doesn't undersell.

Lucky for us, this is the first in a series, because you won’t want to leave Edie and Y4 behind.

Book Provided by... my wallet

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Tuesday, October 29, 2013

Awaken

Awaken Meg Cabot.

Things aren’t going well in the Underworld-- the boats are late, it’s very hot, and there are swarms of birds coming. The hurricane is above land and below, and the tension and release is real and metaphorical. Only, right before the storm breaks, John somehow dies. And none of the souls can move on, unless Pierce and crew can find the spirit of Thanatos on land, in the middle of a hurricane.

Do me a favor-- read this trilogy at once. I mean, it starts with a hurricane warning and the storm doesn’t really hit until the climax of the third book. It’s a very compressed timeline and would just flow better if you read it all in one go. (And now that all three books are out, it's easy-peasy to do that.) And here lies one of the problems-- I like John and Pierce. John’s an ass, but Pierce can handle it. It makes sense how their relationship unfolds over the 3 books, but when you think about the actual timeline involved, it’s pretty quick.

Over the series, Pierce really grew on me, and I loved the visual of her running around in a hurricane, in her fancy dress with an old school whip, kicking some serious ass. I loved the cultural slice-of-life of what life in the Keys is like when a storm hits (something I trust Cabot to be very familiar with, as that’s where she lives).

It’s not my favorite of Cabot’s works. But it was very enjoyable and I did like reading it. I also liked her take on daily life in the Underworld, and how mythology might still work in our modern time frame. I also appreciated that Pierce demands that Queen of the Underworld = Co-Regent, and how she really dives in and takes charge in this one.

Book Provided by... my local library

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Thursday, October 24, 2013

School Spirits

School Spirits Rachel Hawkins

This is a companion novel the Hex Hall series, and takes place after that series wrapped up.

Izzy Brannick is used to moving around, not having friends, and hunting monsters who make trouble. But now everything is different-- six months ago her sister Finn went missing on what should have been a routine mission. Izzy knows she’ll never live up to Finn’s skills or her mother’s expectations.

So now Izzy and her mom have moved to Ideal, Mississippi to take care of a simple school haunting. The ease of the mission is almost insulting. The hard part isn’t the ghost-- it’s the fact that to investigate, Izzy needs to enroll in high school and blend in. Izzy can handle monsters, but can she handle friends?

LOVE this. I love Izzy’s relationship with Torrin-- the evil warlock trapped in her mirror. It’s a great friendship full of screwball comedy banter. I also like that Izzy comes to town and immediately has 2 boys like her and I can see why. Izzy isn’t very confident, but Hawkins often shows us how awesome she is, and I can see all the guys falling over her and her mysterious ways. I also liked how it was there, but it was a pretty minor part of the plot, because Izzy doesn’t have the time or energy for such nonsense. I loooooooooooooooooooooooved Izzy’s new ghost-hunting friends and how they dealt with the high school crap.

And oh my, Dex. An asthmatic Prodigium who wears a lot of purple and has a smart mouth? Can we get more romantic leads like this? Seriously fun to read and swoon over.

Fans of Hex Hall will like this one and should get it.

Sadly, Rachel Hawkins told me on twitter that this is a stand-alone and not a series. While the plot is resolved, there is SO MUCH MORE to explore-- especially with Finn’s disappearance and Torrin. (I want so much more Torrin. Someone should write me some torrid Torrin fanfic. I would love you forever).

Book Provided by... my local library

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Monday, October 07, 2013

Nonfiction Monday: Hacking Your Education

Hacking Your Education: Ditch the Lectures, Save Tens of Thousands, and Learn More Than Your Peers Ever Will Dale J. Stephens

Stephens (founder of UnCollege) lays out his manifesto on why college isn’t the best option for most people and instead offers a new template on how to learn, grow, and find gainful employment.

Stephens was an unschooler and carries that mentality into higher education.

It’s a compelling case-- basically college is crazy expensive and the higher earnings degree holders used to see are shrinking. When you look at how much money you had to put into college in the first place-- it’s not necessarily at great ROI.

In the words of Good Will Hunting (and this quotation opens the book) “You wasted $150000 on an education for $1.50 in late fees at the library?”

Now, personally, I would have been a horrible uncollege student. I didn’t have the personal drive necessary to be successful at it.

But one thing I love about this book is it’s not just for college-- Stephen’s plan for life-long learning is great for learning at any point in your life--high school, college, post-college. He has a lot of really useful exercises to get you started and great ideas to get up and go.

It’s an quick and easy read and a very interesting look at education and how we can, and need to, make it work for us.

Today's Nonfiction Monday is over at Shelf-Employed.

Book Provided by... my local library

Links to Amazon are an affiliate link. You can help support Biblio File by purchasing any item (not just the one linked to!) through these links. Read my full disclosure statement.

Monday, September 23, 2013

History of English in 100 Words

The Story of English in 100 Words David Crystal.

Mead is an uncommon, old-fashioned drink. Back in its heyday (the 9th century) it was so popular, it permeated the English language. You would rest on a medu-benc (mead-bench) or medu-setl (mead-seat). You might live in medu-burh (a place known for its mead drinkers). You’d walk on the medu-stig (path to the mead hall) and maybe, you might even get medu-dream (mead-joy.) Not only does this tell us of the role Mead played back in the day, remnants still remain (or do you not use a whiskey glass for what comes out of the whisky decanter?)

Is Garage pronounced “garahge” “GArahge” or “GARridge”? Part of it is location, part of it is social class, but the accepted pronunciations have shifted over the years. A look at the BBC list of “standard” pronunciations makes that clear.

Crystal looks at 100 words, their history, and how they stand-in for larger trends in the development on English as a language.

I liked how he broke it up in 100 words, making it more manageable, using certain words to speak for larger trends and issues. I also really liked the parts on how history changed the language--the Norman conquest did a lot, as did globalization, and, of course, American English and our cultural exports have radically changed it as well.

Overall, a fun and short look at our crazy language.

Book Provided by... my local library

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Friday, September 20, 2013

Poetry Friday: October Mourning: A Song for Matthew Shepard

What You Can Do in Eighteen Hours

Write a term paper
Cram for a final

Fly across the ocean
Drive cross-country

Scale a mountain
Run a marathon

Deliver a baby
Read War and Peace

Fall in love
Fall out of love

See the moon disappear
Watch the sun rise and set

Wait to be discovered
lashed to a fence

Shivering under a blanket
of stars


October Mourning: A Song for Matthew Shepard Leaslea Newman


On October 6, 1998, Matthew Shephard was kidnapped from a bar, beaten, tied to a fence, and left to die. 18 hours later he was discovered. 5 days later he died. He was murdered for being gay.

The week he died was Gay Awareness Week and Newman was the keynote speaker for the activities that the University of Wyoming’s Lesbian, Gay, Bisexual, and Transgendered Association were hosting. Shepard was part of that group, had helped plan the week.

It took Newman years to process this horrific crime and what resulted is this collection of poetry.

We can argue it’s an important book because of the subject matter. And it is. But HOLY SHIT is it just an amazing work of poetry.

Newman writes poems from multiple perspectives, both people and inanimate objects, and general poems, interspersed with quotations from the sheriff, the news, the murderers, and judge, and others.

Only Matthew’s voice is missing.

She plays with form to an amazing effect, each one carefully chosen to match the narrator and the content. It's more a chronological collection of poems rather than a cohesive verse novel.

The pure artistry makes this one a total gut punch. You will cry.

I was hesitant to pick it up. I’m so glad I did. I hope you do, too.

Today's Poetry Friday roundup is over at The Opposite of Indifference.


Book Provided by... my local library

Links to Amazon are an affiliate link. You can help support Biblio File by purchasing any item (not just the one linked to!) through these links. Read my full disclosure statement.

Thursday, September 19, 2013

Lean In

Lean In: Women, Work, and the Will to Lead by Sheryl Sandberg.

After all the hype and controversy, I thought it would be good if I actually read this one for myself. I'm glad I did. I think I'll have to reread it annually. It was that good.

Sandberg's basic points are that women have been conditioned to keep our heads down, be nice, and if we work really, really hard, we'll be rewarded. But, the data doesn't support that. If we want to succeed, we need to take chances, raise our hands, and toot our own horns. (Women often feel that have to be 100% qualified for a job before applying. Men only feel they have to be 60% qualified.)

But she also recognizes the world we live in-- tooting your own horn is valuable if you're a guy, but often penalizes you if you're a woman. She also knows this weird chicken/egg world we live in--workplaces are hard on women with families and many women leave instead of fighting to the top, but you need women at the top to get change, but you can't get to the top if your workplace won't help you support your family and round and round it goes.

Sandberg also recognizes her own privilege and the book is really for white-collar jobs.

BUT it is a stellar call to action for women AND men to step back and look at the gender imbalance, why its there, and what we can do about it. I do like the cold truth that no one's going to hand out a better job and situation, you have to go grab it, or at least ask for it.

Not all of it applied to me-- public librarianship, especially youth services, is female heavy. My boss is female, as is her's, as is her's up to the director (also female.) But I still found advice to take to heart, and a different way of looking at things.

I think it's a very strong (and quickly readable) call to action. It points out a lot of hard truths about what's going on, and hwy, but also offers solid suggestions on how to fix them, not just in your personal job, but in society as a whole.

It's an important book and you should probably read it.

Book Provided by... my local library

Links to Amazon are an affiliate link. You can help support Biblio File by purchasing any item (not just the one linked to!) through these links. Read my full disclosure statement.

Wednesday, September 18, 2013

Bitter Kingdom

The Bitter Kingdom Rae Carson

Elisa, Mara, Belen, and Storm are on Hector’s tail, ready to rescue him, and then to save Elisa’s crown.

But saving Hector isn’t enough--something isn’t right in Invierne and Elisa continues into the capital city to discover what. She does discover it, and with it some horrifying truth about Godstones and those who bear them.

And that’s only the first half!

Guuuuuuuuuuuuuuuuuuuuuuuuuuuys. It’s soooooooooooo goooooooooooooooood. I love this series. I love this ending. I love Elisa and how much she’s grown and how she’s so strong and scared at the same time. I love how the action is the perfect mix of fighting and politics.

Also, um, Hector. There’s a romantic lead I can get behind. Someone who’s worthy of the girl, who knows when to support, when to lead, and when to get out of her damn way and doesn’t turn all of her issues into reasons to whine about himself. Instead he just knows and appreciates how awesome she is.

While this is the a wonderful end, it’s still a heartbreaking one, because I’m not ready to say goodbye to these characters and this place yet.

PS-- if you haven’t yet, be sure to check out the e-only short stories: The Shadow Cats, which is about Elodia, (I reviewed it here), The Shattered Mountain, which is about Mara, and The King's Guard, which is about Hector.

ARC Provided by... the publisher at ALA

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Wednesday, July 17, 2013

ARCs and Relationship Building

There was a great panel on ARCs at ALA this year. I was unable to attend because of a committee meeting, but presenters Liz B and Kelly have some great recaps of what they covered.

While I was at ALA there are a few ARCs I was really excited about to pick up. Some were BIG ones, some were novels I didn't know existed but was excited to see.

A comment on Kelly's post struck me though-- a midlist author was very worried about handing out "a lot" of ARCs at a smaller local conference and that every ARC = a lost sale. Which made me think about how I use ARCs.

There's a lot in how librarians use ARCs behind the scenes--blogging about them, sharing them amongst ourselves to build internal buzz that we can then turn to external buzz, etc.

But I think many authors worry about when we share ARCs with teens. When we give this unfinished copy away to non-professionals, what are we doing, and why?

Relationship building. It's all about relationship building, and that's important for teens, and it's important for book sales.

Many people question why libraries have video games programs for teens. (Bear with me--this'll get back to ARCS). At my last library, we had a group of teen guys who used to hang out at the library all the time. They didn't necessarily like the library, but it was a place to be with computers and air-conditioning. They weren't horribly behaved, but they weren't model library users, either. We often had to remind them to keep their voices down, to not run, to turn down their music (it would bleed through their headphones and I could hear it 30 feet away.) The gaming program (1) gave them something to do. It made things a lot nicer for everyone because it gave them their own space, and a place were they could play and be a noisier and, etc. (2) Relationship building.

I had to cover the gaming program one day. I played against the boys. I engaged in some competitive trash talk, and I won big on Wii bowling. And EVERYTHING changed. They saw me totally different after that. The next day, they stopped by to say hi and make some small talk when they got to the library. When they got loud and I had to remind them to quiet down, instead of arguing with me about it, as soon as they saw me walk up they said "Oh no Miss Jennie! Did we get too loud? We're sorry!" And then they stayed quiet. Winning certainly helped, but the main thing was that I tried.

So, what does that have to do with ARCs? Everything. When you have an actual relationship with teens, everything's easier.

Let's take what happens when there's a big book. At ALA, I picked up an ARC of Cress. The Lunar Chronicles are very popular with my teens and this one doesn't come out until February. Sharing this ARC with my teens now builds excitement for the series (because the few that get to read it will talk it up for the next 6 months.) But the fact that I could get an early copy of the book is BIG in their eyes. It's almost like a magical power. And suddenly, they realize that I know my stuff. I have major street cred. It gives me instant trust in the world of books. If I'm cool enough to get an early copy of something like Cress, maybe my other book suggestions are worth listening to. It's instant relationship building.

And what about ARCs of smaller releases? Just as important, for different reasons. There's something special about an early copy, even if it's of a book by an author you've never heard of. I can get teens to take a chance on a book or author they don't know if it's an early copy. It's a great way for midlist authors to gain new fans. And fans that come to something from an ARC tend to be the most vocal about it. They'll tell EVERYONE. When the actual copy comes in, they're the ones who will pull it off the shelf and shove it into someone's hands. If they like it, the teens who read it in ARC form will be the biggest cheerleaders for the finished product.

And what about relationship building?

For the big release book, the library is going to buy that anyway. We don't really need the ARC to make a purchasing decision. The midlist book though, we may or may not get. We have to look at that one more closely to see if it's something we think our teens will like. We let the teens read the ARC and then demand feedback. Is it any good? Will it circulate? Should we get it? Should we get 1 copy for the system, or a copy for every branch? Not only is that feedback crucial for us, but it empowers the teens. It gives them a say in their collections, it lets them know that we take them and their ideas seriously. It's a pretty easy way to really show them that we respect them.

And, if they know that we respect them and their ideas, they're much more likely to respect us and our ideas.

And we become trusted adults. And the more trusted adults a teen has in his or her life, the stronger safety net he or she has, and the chances of success in life become that much greater.

In a reader's advisory context, this is crucial. We don't have to work as hard to hand-sell a book. If we already have a relationship, they're much more likely to take a chance on something.

Here's the ultimate outcome-- I had a teen at my old branch. Over the years, we had built a strong relationship. It got to the point where I could just hand her a book and say "you should read this." And she would. I didn't have to tell her what it was about. It didn't have to be in her favorite genre or format-- it could be something completely different than what she would normally pick up. And she'd read it. And if she liked it-- watch out. If she liked it, she would hand-sell it to everyone. There were midlist, backlist titles that were about to be weeded out of the collection because they didn't circ. I had a very strong relationship with her and could give them to her. The ones she liked? She could spread the word so effectively that instead of weeding the title, we bought additional copies.

There's a lot of work that goes into building a relationship like that. ARCs won't instantly create it, but they're a very helpful tool, in more ways that many people realize.

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Sunday, July 14, 2013

Exclusive Editions = Bad News for Libraries



Today Ally Carter announced that if you buy a hardcover edition of United We Spy from Barnes and Noble, you'll get an exclusive epilogue. It's only available from Barnes and Noble, and only in print (it won't be in the Nook version.)

My first thought was all about me-- I tend to chafe at being told where I HAVE to buy something. I buy at several different book sellers, but I don't have that option for this one. Plus, Ms. Carter has done several events with Politics and Prose bookstore (my local indie fav.) over the years-- how much does this screw them (and other indies) over?

But my second thought was for the library users. And I tweeted back that exclusive content like is a bummer for libraries and the people who use them.

Ms. Carter tweeted back



Ah. Yes. Libraries can choose to buy that edition. Which highlights some stuff a lot of people don't know about the backroom workings for libraries.

I tweeted back:



After tweeting that, I did some research to get some numbers. Buying the exclusive Barnes and Noble edition at a brick and mortar store would probably cost list price-- $17.99. Ordering online is currently $14.29.

But libraries don't buy from bookstores. Libraries buy from distributors-- the same people who sell to bookstores. And for a new YA hardcover, libraries typically spend $9.01. So yes, a library could choose to buy the exclusive edition. If they do it at the store, though, it's twice as expensive. Libraries could get 1 copy of the exclusive edition, or they could get 2 copies of the regular one (or 1 of the regular, and a copy of something else entirely.) If libraries order online, it's a bit cheaper, but it's still significantly more expensive. (Libraries can buy 1.5 hardcover books for the price of the Barnes and Noble version if they order online.)

In this time of super-tight budgets, that's not a hard decision to make.

But, it's also not a decision that can be made-- most libraries are government entities. Most governments have very strict rules about who you're allowed to do purchasing from-- this is why no-bid contracts are always a local scandal. So, even if libraries had the money to spend on the exclusive edition, many are not allowed to buy books from anyone outside their regular vendor.

So yeah, it's not actually a choice. Libraries do not have access to this content.

Which means that the only way teens can get this is if they can get their own copy at Barnes and Noble. Which means they need access to a Barnes and Noble (to read in the aisle or purchase) or a credit card (to buy online).

I spent almost 7 years working in an underserved community. We had a TON of Gallagher Girl fans who used my library. Many came from homes that, even if they had the extra money to buy a book, they didn't have a credit card to do it. The closest Barnes and Noble is only 4 miles away, but it's across state lines. To get there on public transport will take 70 minutes, will cost $7.90 and involves walking half a mile, two buses and two trains.

So... it's not really an option for them.

Ms. Carter's response was to my above tweet was:



Yep, it's an extra. A bonus. One that libraries can't offer their users. One that only certain fans can dream of having access to. (Ok, let's be honest-- it's one that is just begging to be downloaded illegally. I'm against that professionally and personall, but in cases like this, I do understand it.)

So, here was the last tweet of the conversation:



I feel like a jerk for calling Ms. Carter out like this because it's not like Gallagher Girls is the first series to do this. And I'm pretty sure a lot of the decisions were done by agents and publishers, not by her personally. (And because of the politics of how national chain bookstores work, Barnes and Noble in particular, there's probably a lot at play here to get better display space and placement for all Disney-Hyperion books or other considerations.)

I'm a huge fan of her work, and I once had a lovely conversation with her at a Printz reception here in DC a few years ago and she was really nice and wonderful.

But when I talk about the teens who can't access this exclusive content, they're not hypothetical. I'm talking about specific people. I have faces and names in my head as I write this.

Exclusives like this might be good for bookstores and publishers, but they're pretty shitty for actual teen readers.



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